Book of the dead spell 91
book of the dead spell Hallesche Beiträge zur Orientwissenschaft 29 (Halle [ Saale]) Nubian Influence on the Later Versions of the Book of. 2 Der Titel des Spruches („Spell for not letting N.'s heart oppose him in the Die Übersetzung folgt der von Allen ab S 1 (ders., Book of the. Nov. 2 Der Titel des Spruches („Spell for not letting N.'s heart oppose him in the Die Übersetzung folgt der von Allen ab S 1 (ders., Book of the. Bickel and Bernard Mathieu, pp. Mathieu, Bernard Lovecraft, H. With the demise of the Old sometimes approach scribal hieratic forms Chap- Kingdom, ritual funerary texts were supposedly taken ter 3. Seminar für Ägyptologie und Koptologie. However, they continued to be part tained in BD spell is an entirely new addition to of Eighteenth Dynasty burial equipment at least the mortuary corpus and involves the deceased sup- into the reign of Amenhotep III ca. Geisen, Christina Hayes, William C. Writings from the Ancient World The Life of James Henry Breasted zation Studien zum Altägyptisch- Sudan His research interests include the historiography of the New Kingdom, the Theban necropolis, epigraphy, and the intersection of text, art, religion, and cultural artifact. Theo- Bagnall, Roger S. Second, universally adopted as the descriptive term for this the term can refer to an individual papyrus roll in- collection of spells Chapter Beachvolleyball em musei e gallerie pontificie. Orientver- Miatello Luca lag. For all periods of the functioning of the Book of the Dead its spell 41 is known from.
If the scales balanced, this meant the deceased had led a good life. Anubis would take them to Osiris and they would find their place in the afterlife, becoming maa-kheru , meaning "vindicated" or "true of voice".
This scene is remarkable not only for its vividness but as one of the few parts of the Book of the Dead with any explicit moral content.
The judgment of the dead and the Negative Confession were a representation of the conventional moral code which governed Egyptian society. For every "I have not John Taylor points out the wording of Spells 30B and suggests a pragmatic approach to morality; by preventing the heart from contradicting him with any inconvenient truths, it seems that the deceased could enter the afterlife even if their life had not been entirely pure.
A Book of the Dead papyrus was produced to order by scribes. They were commissioned by people in preparation for their own funeral, or by the relatives of someone recently deceased.
They were expensive items; one source gives the price of a Book of the Dead scroll as one deben of silver,  perhaps half the annual pay of a labourer.
In one case, a Book of the Dead was written on second-hand papyrus. Most owners of the Book of the Dead were evidently part of the social elite; they were initially reserved for the royal family, but later papyri are found in the tombs of scribes, priests and officials.
Towards the beginning of the history of the Book of the Dead , there are roughly 10 copies belonging to men for every one for a woman.
The dimensions of a Book of the Dead could vary widely; the longest is 40m long while some are as short as 1m. The scribes working on Book of the Dead papyri took more care over their work than those working on more mundane texts; care was taken to frame the text within margins, and to avoid writing on the joints between sheets.
Books were often prefabricated in funerary workshops, with spaces being left for the name of the deceased to be written in later.
The text of a New Kingdom Book of the Dead was typically written in cursive hieroglyphs , most often from left to right, but also sometimes from right to left.
The hieroglyphs were in columns, which were separated by black lines — a similar arrangement to that used when hieroglyphs were carved on tomb walls or monuments.
Illustrations were put in frames above, below, or between the columns of text. The largest illustrations took up a full page of papyrus. From the 21st Dynasty onward, more copies of the Book of the Dead are found in hieratic script.
The calligraphy is similar to that of other hieratic manuscripts of the New Kingdom; the text is written in horizontal lines across wide columns often the column size corresponds to the size of the papyrus sheets of which a scroll is made up.
Occasionally a hieratic Book of the Dead contains captions in hieroglyphic. The text of a Book of the Dead was written in both black and red ink, regardless of whether it was in hieroglyphic or hieratic script.
Most of the text was in black, with red ink used for the titles of spells, opening and closing sections of spells, the instructions to perform spells correctly in rituals, and also for the names of dangerous creatures such as the demon Apep.
The style and nature of the vignettes used to illustrate a Book of the Dead varies widely. Some contain lavish colour illustrations, even making use of gold leaf.
Others contain only line drawings, or one simple illustration at the opening. Book of the Dead papyri were often the work of several different scribes and artists whose work was literally pasted together.
The existence of the Book of the Dead was known as early as the Middle Ages, well before its contents could be understood.
In Karl Richard Lepsius published a translation of a manuscript dated to the Ptolemaic era and coined the name " Book of The Dead" das Todtenbuch.
He also introduced the spell numbering system which is still in use, identifying different spells. The work of E. Allen and Raymond O.
Orientverlag has released another series of related monographs, Totenbuchtexte , focused on analysis, synoptic comparison, and textual criticism. Research work on the Book of the Dead has always posed technical difficulties thanks to the need to copy very long hieroglyphic texts.
Initially, these were copied out by hand, with the assistance either of tracing paper or a camera lucida.
In the midth century, hieroglyphic fonts became available and made lithographic reproduction of manuscripts more feasible.
In the present day, hieroglyphics can be rendered in desktop publishing software and this, combined with digital print technology, means that the costs of publishing a Book of the Dead may be considerably reduced.
However, a very large amount of the source material in museums around the world remains unpublished. From Wikipedia, the free encyclopedia.
For other uses, see Book of the Dead disambiguation. List of Book of the Dead spells. I have come to you spiritualized and pure. Your arms are about you and your portion of food is before you; you may give me my mouth which I may speak, and may my heart guide me at its hour of destroying the night.
Spell for giving a mouth to N for him in the realm of the dead. I have arisen from the Egg which is in the secret land, my mouth has been given to me that I may speak with it in the presence of the Great God, Lord of the Netherworld; my hand shall not be thrust aside in the tribunal of all gods, for I am Osiris, Lord of the Rosetjau.
I will share with this one who is on the dais, for I have come for what my heart desires into the Lake of Fire which is quenched for me.
Spell for opening the mouth of N. My mouth is opened by Ptah and what was on my mouth has been loosened by my local god.
Thoth comes indeed, filled and equipped with magic, and the bonds of Seth which restrict my mouth have been loosened. Atum has warded them off and has cast away the restrictions of Seth.
My mouth is opened, my mouth is split open by Shu with that iron harpoon of his with which he split open the mouths of the gods.
As for any magic spell or words which may be uttered to me, the gods will rise up against it, even the entire Ennead.
Spell for bringing magic to N. I am Atum-Khepri who came into being of himself upon the lap of his mother Nut, who gave jackals to those who are in Abydos and hunting-dogs to those who are in the tribunal.
I have collected this magic in every place where it was, from the possession of anyone who possessed it, more speedily than a hound, more swiftly than a shadow.
O you who bring the ferry boat of Ra, strengthen your rope in the north wind. Ferry upstream to the Island of Fire beside the realm of the dead, collect this magic from wherever it may be, from the possession of anyone who may possess it, more speedily than a hound, more swiftly than a shadow.
Transform yourself into a heron, the mother who created you; the gods are hushed, your mother has made you warm for the gods.
Now there is given to me this magic, to whomsoever it may belong, more speedily than a hound, more swiftly than a shadow. Spell for causing that N be remembered in the realm of the dead.
A name has been given to me in the Per-wer, my name has been remembered in the Per-neser, on that night of reckoning the years and of counting months.
I am this builder, I sit on the eastern side of the sky. As for any god who shall not come to following after me, I will declare his name to those who are yet to be.
Spell for giving N;s heart to him in the realm of the dead. My house is mine in the House of Hearts, my heart is mine in the House of Hearts, my hearts is mine, and it is at rest there.
I will not eat the cake of Osiris on the eastern side of the Gay-water in the barge when you sail downstream or upstream, and I will not go aboard the boat in which you are.
My mouth will be given to me that I may speak with it, my legs to walk, and my arms to fell my enemy. The doors to the sky are opened for me; Geb, chiefest of the gods, throws open his jaws for me, he opened my eyes which were closed up, he extends my legs which were contracted; Anubis strengthens for me my thighs which were joined together; the goddess Sakhmet stretches me out, I will be in the sky, a command shall be made for my benefit in Memphis, I shall be aware in my heart, I shall have power in my heart, I shall have power in my arms, I shall have power in my legs, I shall have power to do whatever I desire; my soul and my corpse shall not be restrained at the portals of the West when I go in or out in peace.
Hail to you, lords of eternity, founders of everlasting! You shall not raise any matter harmful him, because as for the heart of N, this hearts belongs to one whose names are great, whose words are mighty, who possesses his members.
He himself has power over his members, his heart obeys him, for he is your lord and you are hi body, you shall not turn aside.
I command you to obey me in the realm of the dead, even I, N, who am vindicated in peace and vindicated in the beautiful West in the domain of eternity.
O Lion, I am a weneb-flower; the shambles of the god is what I abhor, and my heart shall not be taken from me by those who fought in Heliopolis.
The original spells ends here. The rest of the spell is an addition which is very corrupt and virtually untranslatable. Get back, you messengers of any god!
Have you come to take away this heart of mine which belongs to the living who move about. The gods who rest for me have heard, falling headlong on their faces… in their own land.
It is for this reason that the deceased is at one and the same time in heaven with the circumpolar stars , in the celestial barque of the Sun God Re, under the earth, tilling the Elysian Fields, and in his tomb enjoying his victuals.
Just as there is a multiplicity of parts of the being of man, so there are many types of existence in the afterlife. Some represent philosophies of ancient times that instead of being forgotten are incorporated with current beliefs creating seemingly contradictory expectations of the afterlife.
The funerary literature aimed to address all these different beliefs so that the deceased might survive and be resurrected in the afterlife.
Here the deceased joins the gods and becomes part of the cosmic cycle of the universe in the form of the imperishable stars, the circumpolar stars.
Spell for opening the tomb]. Here the deceased joins with the cosmic cycle of the sun, sailing in the solar barque of the Sun God and taking his place as a divine being.
Spells 67, , , , , , b illustrate the concept of a solar afterlife in the barque of Re. In Spell 67 the deceased takes his place on the solar barque of the Sun God and the actions made to make his soul worthy of joining Re.
The rubric of the spell describes how it should be performed. In the Middle Kingdom the sun god no longer rules supreme; Osiris becomes the king with whom the blessed dead hope to spend eternity.
This new importance of Osiris in the afterlife can be see in his assumption of the role of judge of the dead. Spell of the Book of the Dead deals entirely with the judgement of the dead, by which it was ascertained whether the deceased was worthy to enter the Kingdom of Osiris.
Spell deals with the description of the Field of Rushes or Reeds as a paradise for the blessed dead in the afterlife. Here the deceased receives offerings of bread and beer, oxen and all good things, clothing and daily incense.
The deceased was expected to plough, reap, to eat and drink, maintenance of irrigation works, and all the things that were done in life for all eternity.
Vignettes accompanying this spell show the deceased sailing in a boat laden with offerings, reaping wheat and driving oxen or ploughing the land.
At this time the shabiti formulas appear, to relieve the dead from all the hard work in the afterlife by providing a magical substitute worker.
The deceased could partake in the offerings brought to the tomb by the ancestors or from the magically activated Tables of Offerings inscribed on the tomb walls and papyrus.
These offerings provided sustenance not only to the Ka but also the Ba and Khaibit. Untold generations lived and died with the belief that those things required in life would also be needed in death.
The tomb provided the house for the physical body, the Ka, the Ba and the Khaibit. It also provided a place to partake in food and drink from offerings placed in the tomb.
The ancient Egyptian name for the Book of the Dead, is per em hru, which have been variously translated as meaning, "coming forth from the day", or " coming forth by day".
The Book of the Dead is a group of funerary chapters, which began to appear in ancient Egypt around BC. In the Middle Kingdom more Spells were added and the texts were written in hieratic, not in hieroglyphics, within the wooden coffins and are known as Coffin Texts.
Eventually in the New Kingdom Spells were written on sheets of papyrus covered with magical texts and accompanying illustrations called vignettes.
In the Old Kingdom of Egypt, only in certain cases and for special emphasis did Spells include a vignette, but by the Ramesside Period, the reverse is true and only a few Spells are un-illustrated.
In Dynasty 21 and in the Late Period, vignettes were often used for the Spells, without the texts. But in many manuscripts the vignettes constitute a row of pictures, with texts placed beneath them.
The texts are divided into individual Spells or chapters, around two hundred in total, though no one papyrus contains them all. Specific chapters could be selected out of the total repertoire.
If the prospective owner of a Book was wealthy and his death not untimely, he might commission a scribe to write the text for him, based upon his personal choice of Spells.
Other less wealthy clients had to make do with a ready-made text template. The spells contained within the Book of the Dead can be divided into 5 main categories.
They provide practical help and magical assistance in the provisioning and protection of the deceased in the afterlife.
Transformational Spells — designed to be used by the deceased to able to transform into various objects, animals and gods in order to become identified with them.
Spells such as Spell 76, 77, 78, 79, 80, 81a, 81b, 82, 83, 84, 85, 86, 87 and 88, where the deceased can be transformed into a falcon of gold, a phoenix, a heron or a swallow amongst others.
Protection Spells — these spells are to be used by the deceased in preventing death and injury etc in the afterlife. Spells such as Spell 22, 25, 26, 27, 28, 29, 29a, 30a, 31, 32, 33, 34, 35, 38a, 38b, 43, 44, 45, 46, 53, 54, 55, 56, 57, 58, 59, 61, 62, 63a, 63b, , , , , , and Here the deceased is protected from snakes, crocodiles, being decapitated, not dying again, not eating faeces or drinking urine, breathing in the realm of the dead, stopping the corpse from putrefying and causing the soul to live in the realm of the dead.
I have opened up every path which is in the sky and on earth, for I am the well-beloved son of my father Osiris. I am noble, I am a spirit [ akh ], I am equipped; O all you gods and all you spirits [ akhu ], prepare a path for me.
What does that mean? It means that I was cleansed on the day of my birth in the two great and noble marshes which are in Heracleopolis on the day when the common folk make offerings to the Great God who is therein.
They are the Lake of Natron and the Lake of Maat. As for that Great God who is therein, he is Ra himself. My mouth is opened, by mouth is split open by Shu with that iron harpoon of his with which he split open the mouths of the gods.
I have put my name in the Upper Egyptian shrine, I [have] made my name to be remembered in the Lower Egyptian shrine, on this night of counting the years and of numbering the months This spell was found in Hermopolis, under the feet of this god.
It was written on a block of mineral of Upper Egypt in the writings of the god himself, and was discovered in the time of [King] Menkaure.
O my heart of my mother! O my heart of my different forms! Do not stand up as a witness against me, do not be opposed to me in the tribunal, do not be hostile to me in the presence of the Keeper of the Balance, for you are my ka which was in my body, the protector who made my members hale.
Go forth to the happy place whereto we speed, do not make my name stink to the Entourage who make men. Do not tell lies about me in the present of the god.
It is indeed well that you should hear! Still others protect the deceased from various hostile forces or guide him through the underworld past various obstacles.
Famously, two spells also deal with the judgement of the deceased in the Weighing of the Heart ritual. Such spells as 26—30, and sometimes spells 6 and , relate to the heart and were inscribed on scarabs.
The texts and images of the Book of the Dead were magical as well as religious. Magic was as legitimate an activity as praying to the gods, even when the magic was aimed at controlling the gods themselves.
The act of speaking a ritual formula was an act of creation;  there is a sense in which action and speech were one and the same thing.
Hieroglyphic script was held to have been invented by the god Thoth , and the hieroglyphs themselves were powerful. Written words conveyed the full force of a spell.
The spells of the Book of the Dead made use of several magical techniques which can also be seen in other areas of Egyptian life.
A number of spells are for magical amulets , which would protect the deceased from harm. In addition to being represented on a Book of the Dead papyrus, these spells appeared on amulets wound into the wrappings of a mummy.
Other items in direct contact with the body in the tomb, such as headrests, were also considered to have amuletic value. Almost every Book of the Dead was unique, containing a different mixture of spells drawn from the corpus of texts available.
For most of the history of the Book of the Dead there was no defined order or structure. The spells in the Book of the Dead depict Egyptian beliefs about the nature of death and the afterlife.
The Book of the Dead is a vital source of information about Egyptian beliefs in this area. One aspect of death was the disintegration of the various kheperu , or modes of existence.
Mummification served to preserve and transform the physical body into sah , an idealised form with divine aspects;  the Book of the Dead contained spells aimed at preserving the body of the deceased, which may have been recited during the process of mummification.
The ka , or life-force, remained in the tomb with the dead body, and required sustenance from offerings of food, water and incense. In case priests or relatives failed to provide these offerings, Spell ensured the ka was satisfied.
It was the ba , depicted as a human-headed bird, which could "go forth by day" from the tomb into the world; spells 61 and 89 acted to preserve it.
An akh was a blessed spirit with magical powers who would dwell among the gods. The nature of the afterlife which the dead person enjoyed is difficult to define, because of the differing traditions within Ancient Egyptian religion.
In the Book of the Dead , the dead were taken into the presence of the god Osiris , who was confined to the subterranean Duat.
There are also spells to enable the ba or akh of the dead to join Ra as he travelled the sky in his sun-barque, and help him fight off Apep.
There are fields, crops, oxen, people and waterways. The deceased person is shown encountering the Great Ennead , a group of gods, as well as his or her own parents.
While the depiction of the Field of Reeds is pleasant and plentiful, it is also clear that manual labour is required. For this reason burials included a number of statuettes named shabti , or later ushebti.
The path to the afterlife as laid out in the Book of the Dead was a difficult one. The deceased was required to pass a series of gates, caverns and mounds guarded by supernatural creatures.
Their names—for instance, "He who lives on snakes" or "He who dances in blood"—are equally grotesque. These creatures had to be pacified by reciting the appropriate spells included in the Book of the Dead ; once pacified they posed no further threat, and could even extend their protection to the dead person.
If all the obstacles of the Duat could be negotiated, the deceased would be judged in the "Weighing of the Heart" ritual, depicted in Spell The deceased was led by the god Anubis into the presence of Osiris.
There, the dead person swore that he had not committed any sin from a list of 42 sins ,  reciting a text known as the "Negative Confession".
Maat was often represented by an ostrich feather, the hieroglyphic sign for her name. If the scales balanced, this meant the deceased had led a good life.
Anubis would take them to Osiris and they would find their place in the afterlife, becoming maa-kheru , meaning "vindicated" or "true of voice".
This scene is remarkable not only for its vividness but as one of the few parts of the Book of the Dead with any explicit moral content.
The judgment of the dead and the Negative Confession were a representation of the conventional moral code which governed Egyptian society.
For every "I have not The Book of the Dead is the modern name given to the collection of texts the ancient Egyptians wrote to help the dead and guide them through the Tuat underworld.
This collection consists of formulas, hymns, incantations, magical words and prayers. Copies of the Book of the Dead first came to the attention of Western scholars at the beginning of the 19th Century.
Instead the names referred to the fact the books belonged to dead men. Karl Richard Lepius was the first man to translate a complete manuscript of the Book of the Dead in modern times in He established the numbering system used to distinguish the chapters or spells today.
Karl Lepius encouraged other scholars to collect the known variations of all the spells in one book. Edouard Naville undertook this task and completed a three-volume collection of spells.
This collection included the significant variations of each spell and his commentary. These texts do not record the lives and deeds of the men or women buried in the tombs who owned them.
Instead, these texts provide spells to ensure that a soul could pass into the Egyptian paradise through the perils of the Tuat.